Introduction by film critic Graham Fuller on Saturday, May 17.

One of the crowning achievements of the German expressionist movement, F. W. Murnau’s The Last Laugh stars Emil Jannings as an aging doorman whose happiness crumbles when he is relieved of the duties and uniform which had for years been the foundation of his happiness and pride. Through Jannings’ colossal performance, The Last Laugh becomes more than the plight of a single doorman, but a mournful dramatization of the frustration and anguish of the universal working class.